• anna j. clutterbuck-cook
  • contact
  • curriculum vitae
  • find me elsewhere
  • marilyn ross memorial book prize

the feminist librarian

the feminist librarian

Author Archives: Anna Clutterbuck-Cook

New Sarah Vowell coming soon!

21 Thursday Aug 2008

Posted by Anna Clutterbuck-Cook in library life

≈ Leave a comment

Tags

books, history, MHS

I (sadly! sadly!) wasn’t at work the day Sarah Vowell came to do research at the MHS last year, but we just recieved an advance review copy of the forthcoming book, The Wordy Shipmates, which is due out in October. My friend and colleague Jeremy makes a brief appearance.

"Best" Books?

15 Friday Aug 2008

Posted by Anna Clutterbuck-Cook in think pieces

≈ 1 Comment

Tags

books

While I’m unashamed of my love of lists, I’m always skeptical of lists that attempt to assign the status of “best of . . .” in any genre, whether it’s a vacation destination, restaurant, or the artistic value of a movie or book. For example, take a look at this Unified List of the Best 100 Novels (via), which merges the “top” lists from the UK, US, Australia and Canada. In a personal sense, I’m happy to see that personal favorites Possession (#59), A Passage to India (#55), Anne of Green Gables (#38), and The Lion the Witch and the Wardrobe (#14) made it on to the list . . . but find myself slightly irritated that, for example, my favorite Austen novel (Persuasion) only squeaked on at #94). “Why did they pick X over Y?” I find myself thinking impatiently. I would argue that in the end such lists are intimately subjective, and I wish they would acknowledge that (“favorite” rather than “best” anyone?). Yet at the same time they’re compulsively readable, and the bookworm in me can’t help noticing how many I can or cannot check off as already read . . .

Summer Reading

09 Saturday Aug 2008

Posted by Anna Clutterbuck-Cook in book reviews

≈ Leave a comment

As I’m on vacation this week (yay!), I thought it would be a good time to highlight a few of the books I’ve been enjoying lately.

After Hanna passed along her copy of The Good Fairies of New York by Martin Millar, I couldn’t resist his latest novel Lonely Werewolf Girl which — in the simplest sense — tells the story of a lonely, laudanum-addicted teenage werewolf named Kalix who runs away from the family castle in Scotland and finds herself living with two uni students, Daniel and Moonglow, in a London flat. There are also fashion designers, fire elementals, bloody family feuds, a punk band called Yum Yum Sugary Snacks, and various other entertaining elements. I’m you’re a fan of long, wandering crazy-ass plots and snappy dialog, it’s an entertaining read. I recommend trying Good Fairies first since it’s the tighter of the two and gives you a good taste of Millar’s style.

Moonglow picked up a packet from the floor. She read the label. “You take diazepam?”
Kalix became angry. “Stop looking at everything!”
“Well it’s just a bit weird you know,” said Moonglow. “Werewolf anti-depressants”
“Aren’t you focussing on the wrong thing here?” said Daniel. “Remember the terrible violence.”

In keeping with the science-fiction/fantasy theme of the summer — which seems to be where my brain seems to have taken refuge at the end of term — I am finally getting around to reading Terry Pratchett’s novels about the fictitious universe of Discworld. Having taken advice from Hanna, I began with Wee Free Men and his other YA novels about the young witch Tiffany Aching. For the airplane flight to Michigan, I packed Wyrd Sisters, which is about adult witches Granny Weatherwax, Nanny Ogg, and Magrat, along with a king, a fool, a ghost, and a group of traveling players.

Magrat sat down at the other end of the log.
“There’s other witches,” she said. “There’s lots of witches further up the Ramtops. Maybe they can help.”
The other two looked at her in pained surprise.
“I don’t think we need to go that far,” sniffed Granny. “Asking for help.”
“Very bad practice,” nodded Nanny Ogg.
“But you asked a demon to help you,” said Magrat.
“No we didn’t,” said Granny.
“Right. We didn’t.”
“We ordered it to assist.”

For the book-on-tape (or rather book-on-mp3) selection, I have the recently-released sequel to Jeanne Birdsall’s The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy, The Penderwicks on Gardam Street, which continues the tale of the Penderwick sisters Rosalind, Jane, Skye, and Batty and their plans to rescue their father from their aunt’s firm nudging into the dating realm. Most importantly, how could I resist a book that made mention of The Lion, The Witch and the Wardrobe, Five Children and It, Half Magic, Swallows and Amazons, and last but not least Scuppers the Sailor Dog in the first half-dozen chapters?

And despite the fact that summers are for frittering, I’ve managed to sneak in a few politically-minded and possibly historically relevant reads, the latest being historian of sexuality Dagmar Herzog’s Sex in Crisis: The New Sexual Revolution and the Future of American Politics. It was a quick read, and disappointingly superficial in its survey of the Religious Right’s political manipulation of cultural messages about sexuality in the past twenty years. She suggests in an early chapter, for example, that the “new revolution” in American sexuality since the early 1990s — particularly the increased focus successful sexual performance — can be attributed to the development and marketing of Viagra and the availability of internet pornography, which seems like a bizarrely narrow focus. I was much happier when she dropped this line of argument later on and turned to on the more diffuse anxieties about heterosexuality that the Religious Right and self-help industry have fostered. In this new sexual paradigm, in which sex outside of heterosexual marriage is seen as fraught with danger and all sexual relationships are under pressure to be the best (and anything less-than blamed on the participants), “experience is no longer seen as a resource,” but as a physically damaging, soul-sapping threat from which individuals must protect themselves by retreating into the purity of virginity or celibacy (outside of marriage) or a highly scripted heterosexual marriage relationship. Herzog is at her strongest when she turns away from trying to document recent American history (her own academic field being twentieth-century European history) and toward an impassioned call for Americans to reclaim human sexuality as a pleasurable, healthy part of life for all people:

What remains missing from the general mix [in American political discourse] is a defense of sexual rights that does not privilege those who match the norm over those who do not, that does not lie about the complexities of human desire, that does not need to pretend that sex is perfect every time (if only you follow the rules and/or buy this product), and that does not root sexual rights only in the negative imperative to reject sexual victimization but also affirms humans’ rights to sexual expression, sexual pleasure, and the freely chosen formation of intimate relationships.

I’m not sure what’s going to be next on the menu, in the few short weeks before the fall semester beings (September 3rd); I have more Terry Pratchett for the return flight to Boston, and Hanna has promised me a history of the Mitford family, if I’m so inclined to a bit of English aristocratic history. If I want some true fluff of an irritating sort, I can pick up the latest Twilight novel (Breaking Dawn), and there’s always the backlog of books purchased and waiting to be read (I still have a few–oh, the shame!–left from Christmas break . . .).

Teeth: A couple of thoughts

01 Friday Aug 2008

Posted by Anna Clutterbuck-Cook in media

≈ Leave a comment

Tags

feminism, movies


I finally got around to watching Teeth, last year’s campy horror flick about a teenage girl who discovers during a sexual assault that she has an unusual genital mutation: a toothed vagina (“vagina dentata”) that doesn’t hesitate to defend her by dismembering her attacker. There has been a lot of comment about this film on the feminist blogs I read, and discussion about the movie’s messages about female sexuality, teenage sexuality, and abstinence.

There were some priceless moments. My own favorite scene was Dawn, the main character’s, first pelvic exam, which she schedules after her impulsive break with chastity goes horribly wrong. The (male) gynecologist is bumblingly patronising and when he fails to respond to Dawn’s nervous cues in a respectful manner things get bloody. Dawn is a teen spokesperson for an abstinence program called modeled after such programs as The Silver Ring Thing which allows the film to highlight the hypocrisy of “education” programs that spread ignorance and simplistic fantasies about sexuality. And given its plot, the film makes some particularly well-pitched points about our cultural ignorance about teen and female sexuality.

But overall, I was not impressed. One of the most striking things, to me, was the film’s overall lack of positive male characters, and boys or men who act in a positive way toward Dawn as a sexual being. Her stepfather is kind, but peripheral. All the other boys and men in the story are violent, duplicitous or otherwise creepy. Okay, I know it’s a horror story, but it struck me as particularly unfair that while the film wrestled in a serious way with an (apparently straight) teenage girl’s sexuality, it failed to offer any possibility of non-combative sexual relationships for its main character.

I’m glad a saw it, but it’s not on my list of top-ten feminist faves.

And then yesterday got a little bit better

31 Thursday Jul 2008

Posted by Anna Clutterbuck-Cook in a sense of place

≈ Leave a comment

Tags

boston, random kindness

I was feeling tired and depressed, and slightly headachey yesterday (just one of those days). But I was scheduled to go to dinner and a play (see below) with a co-worker and her former roommates, and having paid for the ticket I decided to suck it up and go anyway. So we went to dinner at this place in the South End called Delux, a restaurant, which had — by the way — delicious gnocchi with smoked mozzarella cheese. And I didn’t want alcohol, well, I wanted it but when I have an incipient headache this is not a good idea so I asked if they had coffee (no) or iced tea (no). The waitress was very apologetic. So I was making do with water, when she came back a few minutes later and said to me, “This is going to sound weird, but our beer rep just brought me an iced tea from the cafe down the street and I don’t drink iced tea and I thought it was so weird because you had just asked about it and I’ll just be throwing it out so anyway, do you want it?” She brought it to me free with two slices of lemon and made my day just a little bit brighter.

Sondheim’s Assassins

31 Thursday Jul 2008

Posted by Anna Clutterbuck-Cook in media

≈ Leave a comment

Tags

boston, fun

Went to see Sondheim’s Assassins last night with a colleague from work and a group of her former roommates at the Boston Center for the Arts. I’d heard bits and pieces of the show over the years, but as is often the case with musicals didn’t have a full grasp of the story until sitting down to watch it end to end. And even now I’m not sure I fully understand it. Like most Sondheim musicals, it’s a musical-cum-dark-comedy, composed largely of vignettes in which presidential assassins and would-be presidential assassins hold forth on their disillusionment and idealism. Bookended in the play by John Wilkes Booth (Lincoln) and Lee Harvey Oswald (Kennedy), and ranging freely through time, it showed me how woefully behind I am in my knowledge of presidential assassination attempts . . . but I enjoyed it in a dark sort of way.

(image nicked from the Boston Globe).

Twilight: A couple of thoughts

23 Wednesday Jul 2008

Posted by Anna Clutterbuck-Cook in book reviews

≈ 3 Comments

Tags

feminism, genre fiction

A couple of blog posts have crossed my desk recently related to the new film adaptation of Stephanie Meyer’s novel Twilight, the first book in a series of ragingly popular young adult fantasy novels featuring a high school girl (Bella) who falls in love with a vampire (Edward).

Back when I was working at Barnes & Noble, I read the first three books in the series (a forth is due to appear this fall). It’s easy to see why they’re popular with young teenage girls, since the central themes are classic gothic romance and adolescent sexual desire, supernatural peril and adventure, all wrapped around a modern teenage girl who is far from a fainting beauty.

At the same time, I share the reservations voiced by some feminist bloggers about the way in which the central romance — and particularly the issue of sexual intimacy — is treated. An overarching tension between Bella and Edward throughout the first three novels is Bella’s impatience to be sexually active which is frustrated by the fact that Edward, as a vampire, can’t ever lose control of his physical self because then he’ll hurt Bella — really hurt Bella. Like, kill her.

So what can be made of a romance where one member of the couple is capable of murdering the other member–a threat which is never far from the surface? Blogger Jessica, over at go fug yourself, points out that Edward’s “romantic” behavior is really more like that of an obsessed stalker than anything else. “Listen,” she writes, “you just should not be okay with it if you find out that this dude you’re seeing has been sneaking into your house unbeknownst to you and watching you sleep all night, every night, even if it’s under the guise of ‘protecting you’ or something . . .” At the same time, pp-ed columnist Gail Collins of the New York Times muses in a recent column that “maybe the secret to her success is that in her books, it’s the guy who’s in charge of setting the sexual boundaries,” suggesting that Edward’s ability to both harm Bella and his willingness to police himself strike a cord with Meyer’s readers.

On the one hand, I agree with Collins that it’s refreshing to see, in Bella, a teenage girl who is frank about her sexual desires and impatient to explore sexual intimacy with her boyfriend. And to be clear I enjoyed reading the books and will probably read the forth one when it comes out, if only to find out what happens next. In the end, though, my position on Twilight is closer to Jessica’s: despite Edward’s superficial willingness to “set boundaries” (which is a strangely one-sided way of describing how sexual negotiation takes place anyway), Meyer’s formula for abstinence is really nothing but a variation on the theory that men are sexual animals whose bestial impulses must be controlled — either by their girlfriends or their own willpower — or else. If the couple in Twilight have premarital sex (and yes, without giving too much away a future marriage IS held up as the solution to this problem), Bella will die. I don’t know how much more creepily anti-female sexuality you can get than that: have sex and you will die.

Neither of these messages about human sexuality — that men are beasts and women who have sex outside of marriage put themselves in mortal danger — are messages I want being perpetuated in our culture, among people of any age.

Weird Web Widgets

16 Wednesday Jul 2008

Posted by Anna Clutterbuck-Cook in linkspam

≈ Leave a comment

Tags

arts and culture, books, fun, technology

My friend and MHS colleague Jeremy recently pointed me toward this fun site on the ‘net that generates word clouds from quotations that you supply. For example, here is the text of Rosalind’s epilogue to As You Like It, likes 1-19, thrown into Wordle:

(click on the image to view larger)

Here is one Jeremy did with the Declaration of Independence, in honor of the 4th of July:

have fun wordling!

Summer at the Movies

16 Wednesday Jul 2008

Posted by Anna Clutterbuck-Cook in media

≈ Leave a comment

Tags

boston, fun, movies

I’ve obviously been delinquent posting to the FFLA this past month. I’m enjoying being able to come home from work at the end of the day and not turn on my computer if I don’t want to. Instead of being on the computer 24/7, Hanna and I have done a lot of walking, cooking, sleeping, ice-cream eating, and movie-watching. In particular, this seems to be the summer for vintage movies. Hanna got a series of vintage science fiction films from the 1950s for her birthday, and this past week we discovered such little-known classics as Warning From Space, a 1956 Japanese film about aliens shaped like starfish who land in Tokyo and The Wasp Woman (1959), about a cosmetics magnate whose quest for eternal youth goes horribly wrong.

One of the advantages of being in a big city is cinemas that play classic movies, foreign films, and documentaries. In the last month, I’ve been able to see Out of Africa at the Coolidge Corner Theater just up the street from our apartment, and on the 4th of July weekend the “final cut” of Bladerunner at the Brattle Theater in Cambridge. Last night, I returned to the Brattle with my friend Natalie to see All About Eve, the 1950 Bette Davis film in which Davis plays a stage actress, Margo Channing, who is stalked by a young fan (Eve, played by Anne Baxter) who ingratiates herself into Channing’s life and eventually starts to take it over. It’s a truly creepy movie.

I had also forgotten how openly it wrestles with the question of Women Who Have Careers and whether or not such careers are compatible with romance. Davis’s character has a loving and sexually active relationship with her director, a man several years her junior, whom she ends up marrying in the course of the film. He loves her in no small part because she’s strong-willed, talented, and independent. At one point he rejects Eve’s advances without a second thought because “I’m in love with Margo.” And yet the film still finds it necessarily to give Margo a midlife crisis in which she wonders how she can possibly be “feminine” if she isn’t a housewife.

Oh, and Marilyn Monroe makes a very early appearance as someone’s “dumb blond” dinner date with a vaguely foreign accent and several of the funniest lines in the film!

This weekend, the weather’s supposed to be hot and sticky; we’re going to escape the apartment on Saturday night by attending an open-air production of As You Like It which is being performed free on the Boston Common. As You Like It, being one of Shakespeare’s romantic comedies, has all the usual chaos of inconvenient love, exile, disguise, cavorting about in the wood, and reconciliation and marriage at the end. In short, good summer fare.

Finally: the new digs

30 Monday Jun 2008

Posted by Anna Clutterbuck-Cook in a sense of place

≈ Leave a comment

Tags

boston, domesticity

As we head into July (!) already, I realize I’ve been in my new apartment for a month now and still haven’t gotten around to posting pictures. I could make excuses, but I won’t . . . I’ll just share a few with you now.

You can see the larger slide show if you click on this link.

← Older posts
Newer posts →
"the past is a wild party; check your preconceptions at the door." ~ Emma Donoghue

Recent Posts

  • medical update 11.11.22
  • medical update 6.4.22
  • medical update 1.16.2022
  • medical update 10.13.2021
  • medical update 8.17.2021

Archives

Categories

Creative Commons License

This work by Anna J. Clutterbuck-Cook is licensed under a Creative Commons Attribution 3.0 Unported License

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Create a free website or blog at WordPress.com.

  • Follow Following
    • the feminist librarian
    • Join 36 other followers
    • Already have a WordPress.com account? Log in now.
    • the feminist librarian
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar